There are some early signs that shared mobility could survive the crisis, even come out looking better than before; one of those “it’s always darkest before dawn” kind of things. But before that happens, the scooter industry as a whole will need to shrink, as it already was doing before COVID-19. And a lot of people will probably lose their jobs.
In what seems like a lifetime ago, I would walk past a local MARTA train station after work every day and it looked like the rapture happened without me. Scooters were flung about in every which way, and it made walking down the sidewalk a real pain. Every time I needed to use a scooter, it seemed like I never had the correct app and couldn’t find a scooter for the one that I already had credit with. First world problem to be sure, but it rarely left me feeling positively about the experience.
You never like to cheer for the downfall of any company, but I’m not all that upset to see this industry shrinking. Ideally there’s only one or two of these companies that work with local public transportation to fill the gaps in their service, rather than the streets being a wasteland littered with a dozen different scooter brands at any given time. Consolidation could be a good thing, with more predictable service and fewer apps to navigate.
But Sidewalk Labs’ vision was in trouble long before the pandemic. Since its inception, the project had been criticized by progressive activists concerned about how the Alphabet company would collect and protect data, and who would own that data. Conservative Ontario premier Doug Ford, meanwhile, wondered whether taxpayers would get enough bang from the project’s bucks. New York-based Sidewalk Labs wrestled with its local partner, the waterfront redevelopment agency, over ownership of the project’s intellectual property and, most critically, its financing. At times, its operators seemed confounded by the vagaries of Toronto politics. The project had missed deadline after deadline.
I’m always torn when I see these sorts of smart city initiatives pop up. In reality, it’s about how I feel about smart home stuff in general. On one hand, I’m excited about the promise of an efficient and “always learning” city that can help planners optimize. In a world that will be increasingly affected by climate change, finding ways to squeeze every bit of efficiency out of the existing infrastructure is obviously a win.
However, rarely do these things come without hidden complexity or tradeoffs. In this case it’s cost overruns, privacy implications and half-baked solutions.
As I mentioned recently, I’ve been listening to even more podcasts than ever that I’m mostly tooling around the house and doing yard work with all of this spare time. As a result, seeing some of the shows and sites I love start to feel the pinch of reduced ad spending have sparked me to start directly supporting them via membership or donation. Recently, I’ve started to support the sites and podcasts that give me the most joy in these fairly monotonous times: Pewter Report, Relay.fm, Macstories, The Athletic, Stratechery and a few others. All told, it’s about $25/month but I feel like I’m doing my part to keep these folks going.
I’m no behavioral economist but I’ve always wondered what the average difference between the increased brand affinity a subscriber/member feels and the subscription fatigue associated with yet another monthly fee is. I feel like the $5 or so a month I pay to these services, podcasts or sites that give me a ton of joy has an outsized amount of real estate in my head. I love knowing that I’m helping directly support podcasts, apps, websites but I also find myself sweating the relatively small amount that I’m giving them. I know they’re in a bind too – going subscription-only reduces their addressable advertisement market and overall reach, while relying only on “donations” makes that support super elastic.
I’ll be curious to see how much the pandemic-induced ad spending changes the podcasting revenue game. The most positive effect could be additional creativity around revenue generation, ad reads and membership programs, with the least being consolidation, paywalls and more invasive tracking. Let’s hope there’s more innovation in the “positive” areas.
This is probably too general of advice, but I’d recommend that if you expect to regularly use your iPad Pro as a tablet, the 11-inch will likely be your best option. If, however, you expect to use it almost entirely with a Magic Keyboard attached, the 12.9-inch is a good bet. Both devices can work in both modes, but the 11-inch is a better tablet, and the 12.9-inch is a better laptop.
I really enjoyed this article, as it captures a lot of my feelings regarding using the iPad as your primary computer. As my personal laptop begins to age, I find myself using my work issued MacBook Pro for most of my “computer” tasks, and an iPad for nearly everything else. The iPad Pro + Magic Keyboard combo is a very versatile (albeit expensive) solution for almost anyone now. If you’re going to go that route, the biggest decision is how much you want to use it as a traditional tablet.
I use Safari as my primary browser for privacy, cross platform sync and performance reasons. It’s got it’s problems like any browser but overall I love how simple and fast it is. But man, Apple makes it a pain for us sometimes. A few years ago, Apple made the move to deploying Safari extensions as tiny apps through the Mac App Store which was mainly done for privacy reasons. By controlling what sort of access extensions have and reviewing them as part of the app review process, the likelihood of a rogue extension causing havoc is greatly reduced.
However, by plugging these apps into Safari it has caused an issue where any extension update triggers a dialog asking me to restart my browser. Now, I only use a few extensions (Bear, Instapaper, 1Password and 1Blocker), but it’s enough to show me the dialog once a week or so.
What is this, Windows 98? As far as I know, no other web browser does this as it’s highly disruptive to users. Apple, you can do better.
And even if an employer does everything right, a COVID-19 outbreak at the office will remain a distinct possibility. Considering what it will take to get everyone back to the offices—what with the masks, the empty offices, the staggering, the uncertainty, and the overarching anxiety—perhaps the question isn’t when the WFH-ers will return to work again, but when they’ll head back home.
Reading this article makes it abundantly clear that it’s going to be a while before folks who are able to work remotely should even think about going back to the office. I’ve started to mentally prepare myself for many, many more months working from my house. Taking the bus to work, riding an elevator up 23 floors to go work in close proximity to tons of other team members, bouncing between meetings all day sounds like a recipe for spread of the virus. Even if my office opened up today, I doubt I’d be very interested in going back until there’s good treatment options or a cure.
I’ll be honest though – the remote work part has actually been pretty good for me so I’m not super excited about going back anyway. I’m certainly tired of being so isolated, but I’ve always been a homebody and introvert, so this only feels a little abnormal to me. The general slower pace has been really good for me though.
The new iPad cursor is a product of what came before, but it’s blending, rather than layering, that makes it successful in practice. The blending of the product team’s learnings across Apple TV, Mac and iPad. The blending of touch, mouse and touchpad modalities. And, of course, the blending of a desire to make something new and creative and the constraint that it also had to feel familiar and useful right out of the box. It’s a speciality that Apple, when it is at its best, continues to hold central to its development philosophy.
This was a really neat deep dive into the process around developing the new cursor UI/UX for iPadOS. I’ve given a spin on my 9.7″ iPad and a Magic Trackpad and left very impressed … at least, when it was in an app that was using native controls. The cursor changing shape and magnetically attracting to targets is a magical feeling the first few times you see it. Especially give its Apple’s first attempt at bolting a new interaction model to the iPad I’m very hopeful about their ability to make their most versatile computer even more so.
I also really dig these types of articles and wish I’d see more of them. I feel nowadays everything is either a 10k word review or clickbait hot takes. Techno-optimism is something that has died in the past few years, and I appreciate authors who still can still write as if they’re excited about tech, not permanently skeptical of it.
Well, it finally happened. After a few years of bouncing between Spotify and Apple Music (and even Google Play Music / YouTube Music for a bit), I’ve mostly moved over to Apple Music as my main music service. The cataylst turned out to be sales on both HomePods and Sonos One speakers, but I’ll address how I handle multi room audio in a future post. For a better understanding of what I value in a music service, a few olderposts are still pretty relevant.
Reasons I switched to Apple Music
I switched back to Apple Music mainly because I find myself to be someone who likes listening to albums instead of playlists, and Spotify isn’t as good for that. Most of the streaming music features that align with that in my mind – queueing, library management and discovery – work better on Apple Music.
The biggest reasons I stuck with Spotify for so long was mood-based playlists, integration with Google Home / Chromecast, and the fact that the desktop app was so superior to iTunes at the time. Apple’s playlists have caught up (and in some places surpassed), I’ve switched to Sonos / Airplay 2 speakers, and I don’t really use the desktop for music given where I am in my career. I’ve never valued the social aspect of Spotify or the way its library works, so switching wasn’t too hard once I cleared a few hurdles.
Library management
Apple Music has tons of great playlists just like Spotify and others do, but where it really shines is the way that it allows you to do nearly anything you want with your music – you can tag it, change metadata, make smart playlists and manage your queue in ways that just aren’t possible in Spotify or others.
Smart Playlists are what keeps me coming back to Apple Music.
From a library management standpoint, I’ve been using Smart Playlists for years now, and it’s the thing that tends to bring me back every time I stray away. I have a few playlists that really help me feel more connected to my library and Spotify doesn’t really offer anything that matches this yet. Uploading my own music is still a differentiator compared to most other services, as it helps me to fill in the gaps any streaming service has with some unreleased / non digital releases.
(re)Discovery
Now hear me out. I think Spotify is actually the king of algorithm-based recommendations by a mile. When it comes to a robot telling you other new music you should be listening to, there’s still work to be done to catch up with the breadth and accuracy of what you get from Spotify. Add in the ‘Daily Mix’ feature, and Apple is definitely behind in a lot of places. However, where I think Apple Music shines is surfacing old favorites.
Apple has a weekly “Favorites Mix” that plays songs it knows you already love but haven’t heard in a while. It’s 25 songs long so every week it’s a perfect hour or two of old favorites. I also use the aforementioned Smart Playlists to do something similar, surfacing loved tracks that haven’t been played in the past year. More often than not, I end up using a Siri Shortcut to play the current track’s album in it’s entirety.
In general, the service focuses more on albums rather than playlist suggestions. Apple Music also does a great job of showing you the albums that friends are listening to, rather than the Spotify approach of an endless stream of songs flying by. And finally, 3rd party apps that focus more on albums (more on that below)
This brings back memories of Rdio. RIP, Rdio.
Integrations and ecosystem
Obviously, all of the Apple integration is a big win as well. Lyrics showing in Apple TV is like insta-karaoke mode, and my kids love having dance parties in the media room. The Apple Watch app is great for runs or walks outside as I can leave my phone behind and play directly from my watch. Spotify could do this, they just haven’t. Siri integration & shortcuts integration are a fantastic feature, too.
Another thing about Apple Music that I didn’t quite expect but have grown to love is the thriving ecosystem of apps around the service. I use a few of them pretty regularly, and it definitely helps fill some of the gaps in Apple Music. First up, I use an app called Albums for playing full albums and sorting them by genre, decade as well as criteria like play count. I love doing this during my workday as I have certain albums tagged by whether or not they have lyrics and it’s nice to just shuffle a few instrumental albums when I’m heads down. I use MusicHarbor to keep up with new releases. With direct Apple Music integration it’s super easy to quickly add new releases to my library so they’re waiting for me next time I open the app. In addition, I can add stuff I might just want to check out but not commit on to a playlist instead. Finally, there are a number of fantastic 3rd party Apple Music clients that have different takes on a music player’s UX (SongOwl, Soor, Marvis are the 3 best in my opinion). Marvis has a unique gesture based interface, more customization than you can image, last.fm integration, and a very active developer. Soor and SongOwl both focus on surfacing your library content in unique ways.
But nothing’s perfect
There are a few paper cut issues that still frustrate me after being on Spotify for so long, but I’m hopeful that most will be taken care of in short order.
The Mac app is still a bit of a dumpster fire compared to the iOS apps in my mind. There are countless times where it displays content incorrectly, behaves like a mixture of a web app and a desktop app, and just feels “flimsy” compared to the iOS counterparts. Honestly, it feels to me how I feel when I use Android apps – an uncanny valley situation where I can tell there’s a web wrapper hiding in there somewhere.
Fortunately, I do most of my interaction with the service on my phone, iPad and via Sonos speakers throughout the house. Things like smart playlist setup and a few other key features aren’t doable (yet?) on iOS so it’s something you have to keep around, but not use that often honestly.
My wishlist
There’s also a lot of small enhancements to the service that I hope to see as it matures. They’re still playing catchup to Spotify in a lot of ways as they’ve only really been around for about 4 years.
Allow for collaborative playlists. This is by far the biggest request I have right now. I have a family plan and would love to have a shared family playlist we can all add to (generally, for songs my kids love)
The ability to see all songs that I’ve liked, not just the ones that I’ve liked in my library.
More “car friendly” actions would be nice (swipe for next track)
Better integrated calendar in all apps/on the web for Beats 1 shows. I’d love to be able to pick shows I like and have them notify me when they are about to play.
True last.fm integration at the API level so I don’t have to manage it from one or multiple apps.
Something similar to the way that Spotify creates “Daily Mix” playlists based on genres you frequently listen to. We already get a number of pretty solid playlists a week, but nothing really broken down by genre.
I’d like to be able to make and edit smart playlists on iOS.
Better sorting options within the iOS app in particular. I’d love to be able to sort albums by release date, for example.
Allow ‘For You’ to be the first page I see instead of ‘Library’.
Filtering within my library so that I could easily go to the list of playlists, albums or artists and pull down a search menu from the top of that list. I could then quickly do a library search from there.
Invest more in the Mac app. Using it is rarely something that sparks joy. There needs to be more polish around the entire experience, especially when it comes to things like polish around the navigation experience and consistency around keyboard shortcuts.
Conclusion
Overall the good about Apple Music’s system integration, album rediscovery and social aspects outweighs the things it’s missing. But just barely. I’m hopeful that iOS 14 brings more enhancements to the service along with a rethink of the Mac app.
one of the things that makes me steaming mad is how the entire field of web apps ignores 100% of learned lessons from desktop apps
While the delivery is a bit too get-off-my-lawn for my tastes, this twitter thread by @gravislizard has a lot of points I agree with. For someone that makes a living on the web UI side of things, even I can admit that most web user interfaces these days are brittle, unintuitive and slow.
